When the RSC announced their 2013 summer season yesterday, we all rejoiced. "LOOK AT ALL THOSE FEMALE DIRECTORS!" we cried as we danced around in the rain. We've all been waiting for some good news in theatre since MoylesGate and, for us ladyfolk at least, it seemed that this news was surely it. FIVE whole lady directors in one little season. Why, that news is almost unheard of. Add to this a new play by Tanika Gupta about Queen Victoria and it finally seemed like Viva Forever wouldn't be the only source of Girl Power in theatre. The whole thing caused Boyd to proudly announce:
"Next year has ended up, by accident, as a celebration of women in theatre...It
has not been a conscious piece of positive action … but it is great
that we are doing something about it with a concentration and intensity
that is new for the RSC."
Well done, Mr Boyd, you can feel pride in your RSC swansong. You can feel wonderfully smug as ladies across the land sing your name in ecstasy. Or can you? You see, because I'm a cynical actress who refuses to see the good in things, I instantly started looking for the negatives. And wow, did I find one. Of course, my job is to see what's it it for us actresses and, if you take a quick look at the plays they'll be doing in this 'celebration of women' season, you'll quickly find that there's not party-poppers for us actors with lady bits. They've announced that the plays they'll be producing are All's Well That Ends Well, Hamlet (of course, it's now legal to have Hamlet in every bloody season in every bloody theatre), Titus Andronicus, As You Like It, The Winter's Tale, A Mad World My Masters plus new plays by Tanika Gupta and Mark Ravenhill. Now, obviously I don't know what roles the two new plays will involve but a quick tot up of the ones that do already exist and it seems that these plays contain a triumphant 85 named roles for the boys and a miserable 21 for us girlies. Now, unless the two new plays contain a whopping 64 female roles then it seems this celebration of women in theatre has very quickly become a rather exclusive members-only party. Much like the RSC itself.
I realise that this is something I rant and rave about on an almost weekly basis and I'm sure it's becoming tiresome to read but this is a problem in theatre that just doesn't seem to be changing. I'm bloody thrilled that they've got a whole host of female directors in because the representation of women in theatre is not just limited to those who prat about on stage. But I'm as bored of seeing the same-old, male heavy plays in the theatre as I am of seeing tweets about 50 Shades of Bloody Freaking Grey. And I realise that the RSC are a bit limited by Shakespeare's writing but they've shown they're capable of putting on new plays too so why not focus on that to ensure that women are being fairly respresented? Even when they do produce new writing, they've shown they're not to be trusted with female roles. Just take a look at the cast list for their new play A Soldier For Every Son - The Rise Of The Aztecs - http://www.rsc.org.uk/whats-on/a-soldier-in-every-son/cast.aspx Yep, that's 15 male roles and a paltry 3 female roles. Excellent work, RSC. Well frikkin' played.
Who knows, they've only announced the casting of Hamlet so far so maybe they'll be getting in lots of ladies to play the male parts. Maybe they'll surprise me so much that I'm forced to eat all the hats. Or maybe, just maybe, 2013 will just be another year where the men reign supreme and the women take their kit off.